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He was a model to me of artistic labor and discipline, even if those early paintings were painfully amateurish. The painting followed me from Amherst to my first job in New York, and on to London and Delhi. IT WASN’T MY intention to start an essay about artistic beginnings with a story of artistic death. I’m especially moved by those first moments of validation by which an artist comes out to himself, as it were. It’s this, the inexorability of the correspondence between an artist and the world, that gives those first steps their magical quality.

Persons: Naipaul, Neil Shah, James Wood —, Zack, who’d, ”, Artemisia Gentileschi, Susanna, Elders ”, I’m, ” Gustave Flaubert, “, ” Zack, it’s, Bruce Chatwin, Paul Gauguin, Salman Rushdie, Somerset Maugham, Kathryn Bigelow, Philip Glass, Arundhati Roy, Booker, Joseph Conrad, Conrad, Jacques, ” Conrad, brimming, ’, ’ ”, Clarice Lispector, Benjamin Moser, ” Lispector, Maugham, eludes, Jan van Kessel, Elder, — Pieter Bruegel, —, Rebecca West —, “ Black Lamb, J.R, Hammond, Wells, Rebecca West ”, sloughed, Henrik Ibsen’s, Rosmersholm ”, Karan Mahajan, Salman Toor, what’s, ” Hemingway, Anoushka Shankar, Ravi Shankar, Harold Bloom, Ravi, Uday, René Daumal, Rasa ”, ” Anoushka, Norah Jones, Norah, I’ve, “ Raphael, Rachel Cusk, Italy ”, Perugino, Raphael, Cusk, J.M, Samuel Beckett, Gabriel García Márquez, Thomas Pynchon’s, James Joyce, Michelangelo, Leonardo da Vinci, Marcel Proust’s, Fyodor Dostoyevsky, Read, Emma Kehlbeck, Quinton Kamara Organizations: Amherst College, Elders, Fayerweather, ”, Google, Sunday Times, Somerset, Yugoslavia, The, “, . Locations: Delhi, ”, Massachusetts, Italian, Topeka, Kan, Amherst, New York, London, Patagonia, New Delhi, Torrens, Cambridge, Polish, Ukrainian, Brazil, Flemish, Victorian England, “ H.G, Fairfield, United States, “, East, Lahore, Europe, America, Texas, Side, Manhattan, India, Italy

He was a model to me of artistic labor and discipline, even if those early paintings were painfully amateurish. IT WASN’T MY intention to start an essay about artistic beginnings with a story of artistic death. No one captured the massive cultural and economic disparities of my life in Delhi (and his in Lahore) like Toor. But quite unbeknown to me, Toor’s life in New York had opened up a new vein of material. Not everyone who sees a Michelangelo can go off and paint a Michelangelo.”THERE ARE SO many ways to begin.

☆ Artist-Designed Party Hats, and How to Recreate Them
▼ + stars: | 2023-07-27 | by ( Coco Romack | ) www.nytimes.com time to read: +2 min

In the United States, party hats — those ubiquitous, cone-shaped signifiers of children’s birthdays and summer picnics — have their roots in a less celebratory phenomenon: the pointed dunce caps used as disciplinary tools in schools throughout the 19th and early 20th centuries. It’s a reminder that even the most unassuming objects can have complex meanings — something that artists, several of whom have turned to party attire for inspiration, have long known. The students of the Bauhaus, the influential German design academy founded in 1919, took their costume parties as seriously as their studies, dressing up as monstrous creatures and mechanical humanoids. And in 1972, the Spanish painter Salvador Dalí designed several fantastical ensembles for the infamous Surrealist Ball, a lavish gathering held at the French estate of the baroness Marie-Hélène de Rothschild. From there, imaginations ran free, yielding headdresses that resemble, among other things, a rainbow-colored palm tree, a coral reef and an otherworldly drinking helmet.

Persons: Salvador Dalí, baroness Marie, Hélène de Rothschild, Audrey Hepburn peered, Faye Toogood, Jolie Ngo, Piotrek, Rakeem Cunningham, Alexia Hentsch, Adam Charlap Hyman, Andre Herrero, Charlap Hyman, Herrero — Organizations: Bauhaus Locations: United States, —, Spanish

☆ Sally Saul Is Finally in Control
▼ + stars: | 2023-06-26 | by ( Coco Romack | ) www.nytimes.com time to read: +1 min

I really began to sell once I had a piece in a group show at Canada Gallery in 2014. That sold, my Rachel Carson piece [ “Rachel Carson and Eagles” (2013)]. You would see the busts of important men all the time, and I decided that [the ecologist] Rachel Carson needed to have one, too. If it’s a figure, I start with a base and work my way up, then I add to it as I go along. Part of the evolution of it is not me but the piece itself adjusting to what it wants to be.

Persons: I, Austin, Rachel Carson, Rachel Uffner’s Organizations: Hunter College, Canada, Eagles Locations: Austin

What do you think queer literature specifically has to say with its hybrid forms? Gay: I don’t think you can overlook nonfiction in talking about queer literature. Queer and trans people have, amazingly, taken that demand and subverted it, and that’s why those kinds of stories are so important. Also, Roxane, the point you were making about how some of the greatest truths of queer culture and activism have been done in nonfiction … Oddly enough, queer fiction writers have long hidden behind persona and character to write about queer culture and about themselves. I remember interviewing Galgut once and saying, “Your character Damon” — and he stopped me and said, “No, that’s not a character, that’s me.” I thought to myself, “I’m trying to protect you here,” which is a very quaint protectiveness on my part.

Persons: …, Adrienne Rich, “, ” Lorde, Lorde, ” — Tomi Obaro Soller, Roxane, I’m, we’d, Edmund White, Marcel, Proust, André Gide, Ernest, Hemingway’s, Hemingway, Ed, Gide — White, Willa Cather, Mukherjee, Damon Galgut, Damon, Galgut, Damon ” —, ”, “ I’m

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